“Those ghostly smiles could not conceal the ruin in their eyes.”
Initially rising to prominence as the frontman of the influential black metal band Emperor, Ihsahn’s musical contributions have helped define the sonic landscape of extreme metal, including landmark albums such as In the Nightside Eclipse – now celebrated as cornerstones of the genre. His collective and solo musical endeavours have since left an indelible mark on the extreme metal scene, seamlessly blending raw aggression with symphonic grandeur. From the atmospheric soundscapes of his debut album The Adversary to the progressive complexities of his later works, Ihsahn has consistently captivated audiences with an unparalleled creativity and unwavering commitment to artistic innovation. Now, as he delves deeper into his solo career, he prepares to unveil his upcoming self-titled conceptual release, further solidifying his status as a pioneer in the realm of modern and progressive metal music.
Unlike many other albums, this record is unique in its offering of an entirely orchestral counterpart, providing listeners with the opportunity to experience Ihsahn’s work from multiple perspectives. Through both albums, he showcases intricately detailed compositions that transport audiences through a sonic expedition of emotion and intensity. Whether enveloped in the raw energy of his metal arrangements or infatuated with the lush harmonies of the orchestral pieces, listeners are invited to delve deep into the depths of Ihsahn‘s musical prowess and artistic vision.
Ihsahn introduces itself with the haunting allure of “Cervus Venator“, one of three immersive instrumentals that elevate the album. Although a subtle and often overlooked aspect of full-length releases, these instrumental pieces enhance the album’s conceptual depth and continuity. Through delicate strings and evocative chord progressions, each instrumental evokes a journey of emotions that not only opens and concludes the album, but also bridges the gap between the contrasting styles of progressive metal and orchestral composition. With their expressive melodies and dynamic movements, these instrumentals successfully create an atmosphere that establishes the captivating ambience of Ihsahn, whilst complementing its lyrical themes.
The metal facet of the release exposes the listener to the ethereal realms of progressive and avant-garde metal, fused with Ihsahn’s dissonant black metal roots. It embraces a diverse range of influences and unconventional experimentation that creates a distinct musical identity, transcending traditional genre boundaries. By seamlessly integrating both traditional metal instrumentation and symphonic elements, it blurs the lines between genres, resulting in a style unique to this release.
Whilst grounded in typical progressive metal foundations with its extensive use of complex music theory, the album remains accessible to those who are not well-versed in the genre. It embodies aspects found in other metal genres including the visceral breakdown heard in “Pilgrimage To Oblivion“, alongside melodic nuances exemplified in tracks such as “Blood Trails To Love“. Although the album doesn’t aim for brutality, it displays elements of organised chaos that pushes for aggression and intensity, whilst evoking a wide array of emotions. Each track unfolds like a narrative tapestry, where stories are illustrated through a range of melancholic melodies, illustrative lyrics, and colourful chord progressions.
One noteworthy song is the album’s tenth track, titled “At The Heart Of All Things Broken“. Spanning an extensive yet remarkable nine minutes, this song embarks on an emotional journey showcasing exceptional musicianship across all instrumental aspects. With a gradual yet deliberate progression, the track evolves in texture, weaving together heavy and dynamic elements with a distinct blend of vocal styles ranging from raw intensity to moments of light-heartedness. Despite its extended duration, the song manages to sustain interest through its continuous development and exploration of new sonic territories.
Although this release stands as a prominent contender in the progressive metal scene, the orchestral side of Ihsahn emerges as a distinct project that effortlessly commands its own spotlight. Each section is meticulously written, using instruments as interpretive vessels, speaking volumes without the need for vocals or lyricism. Through the delicate interplay of strings, percussion, and brass, each orchestral track successfully portrays intricate narratives, with the addition of every crescendo and diminuendo painting vivid sonic landscapes.
To conclude, Ihsahn truly defies categorisation. The release is absent of any objective negatives and is certainly successful in its aims to intrigue and captivate. From its consistent conceptual themes to its focus on experimentation and genre blending, this album shows an intense and personal dedication to craft and detail. It is evident that every note, every lyric, and every sonic texture has been carefully crafted with a great devotion to artistic integrity. Additionally, throughout both sides of this record, there is an exceptional attention to detail, which is especially noticeable through the beautifully executed production styles used to create its clear and cohesive mixes. Ultimately, Ihsahn has created a project that exceeds expectation and leaves an enduring impression that resonates long after the final notes fade away.
8/10
Ihsahn releases through Spinefarm Records and Candlelight Records on the 16th Febuary and can be pre-ordered here: Spinefarm (US) / Candlelight (UK/EU).